Medium: Mixed media
Style: Geometric Abstraction
Created: July, 2000
Size: 100 x 70 cm
Description:
The application of simplest graphic element - a circle - in order to achieve the illusion of expanding sounds over a certain movement. Picture has the unique music composition, created in accordance with the position of the circles at spatial musical scale.
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Medium: Mixed media
Style: Geometric Abstraction
Created: April 26, 2001
Size: 70 x 100 cm
Description:
Everything in the Universe emitting its individual musical code or sound vibrations according to theirs level of being. Everything is connected and one thing cannot exist without another thing.
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Medium: Mixed media
Style: Geometric Abstraction
Created: April 26, 2001
Size: 70 x 100 cm
Description:
Every man has its own definite number of postures and movements connected with a certain kind of emotion and certain kind of thoughts. These movements and postures, as things which are the most permanent and unchangeable in man, control his form of thoughts and his form of feelings. But a man never makes use of even all the postures and movements possible for him. In accordance with his individuality a man takes only a certain number of the postures and movements possible for him. So that each individual man's repertory of postures and movements is very limited.
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Medium: Mixed media
Style: Geometric Abstraction
Created: April 26, 2001
Size: 70 x 100 cm
Description:
A man is unable to change the form of his thinking or his feeling until he has changed his repertory of postures and movements. The forms of thinking and feeling can be called the postures and movements of thinking and feeling. Every man has a definite number of thinking and feeling postures and movements. Moreover moving, thinking, and feeling postures are connected with one another in man and he can never move out of his repertory of thinking and feeling postures unless he changes his moving postures.
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Medium: Mixed media
Style: Geometric Abstraction
Created: January 14, 2006
Size: 70 x 100 cm
Description:
It is illusion to say our movements are voluntary. All our movements are automatic. The automatism of thought and feeling is definitely connected with the automatism of movement. One cannot be changed without the other. So that if a man's attention is concentrated, let us say, on changing automatic thoughts, then habitual movements and habitual postures will interfere with this new course of thought by attaching to it old habitual associations.
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Medium: Mixed media
Style: Geometric Abstraction
Created: June, 2002
Size: 70 x 100 cm
Description:
In ordinary conditions we have no conception how much our thinking, feeling, and moving functions depend upon one another, although we know, at the same time, how much our moods and our emotional states can depend upon our movements and postures. Fear, disgust, nervous agitation, or, on the other hand, calm, can be created by an intentional change of posture. But as each of man's functions, thinking, emotional, and moving, has its own definite repertory all of which are in constant interaction, a man can never get out of the charmed circle of his postures.
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Medium: Mixed media
Style: Geometric Abstraction
Created: May, 2004
Size: 70 x 100 cm
Description:
An analysis of man's thoughts and feelings and a study of his moving functions, arranged in a certain way, show that every one of our movements, voluntary or involuntary, is an unconscious transition from one posture to another, both equally mechanical. Even if a man recognizes this and begins to struggle with it, his will is not sufficient.
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Medium: Mixed media
Style: Geometric Abstraction
Created: October, 2003
Size: 70 x 100 cm
Description:
Music of the Spheres is a term applied to an idea put forth by the Greek scholar Pythagoras (6th century BCE) that the proportional ratios used to describe musical intervals also refer to those of the physical universe, including the orbiting motion of planets. Pythagoras recognized the innate connection between musical sound, or its "pitch", and the physical characteristics of an object producing that sound. He proved a correlation between the vibrations of sound and the physical world, such as that of numbers and proportion.
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